{"id":4095,"date":"2025-05-22T23:32:15","date_gmt":"2025-05-23T03:32:15","guid":{"rendered":"https:\/\/trasatlantica.org\/?page_id=4095"},"modified":"2025-05-22T23:32:55","modified_gmt":"2025-05-23T03:32:55","slug":"against-all-odds","status":"publish","type":"page","link":"https:\/\/trasatlantica.org\/?page_id=4095","title":{"rendered":"Against All Odds"},"content":{"rendered":"\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2025\/05\/ca29b2bb-f54e-477a-b81f-a4c566c14d34-1.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"761\" height=\"1024\" data-attachment-id=\"4098\" data-permalink=\"https:\/\/trasatlantica.org\/?attachment_id=4098\" 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data-orig-size=\"1906,2047\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"cinema4\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2025\/05\/cinema4.jpeg?fit=580%2C623&amp;ssl=1\" data-id=\"4104\" src=\"https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2025\/05\/cinema4.jpeg?resize=953%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-4104\" srcset=\"https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2025\/05\/cinema4.jpeg?resize=953%2C1024&amp;ssl=1 953w, 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\/><\/a><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-image alignfull size-large\"><a href=\"https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2025\/05\/Cinema-Event.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"1024\" height=\"576\" data-attachment-id=\"4100\" data-permalink=\"https:\/\/trasatlantica.org\/?attachment_id=4100\" data-orig-file=\"https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2025\/05\/Cinema-Event.jpg?fit=1200%2C675&amp;ssl=1\" data-orig-size=\"1200,675\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Cinema Event\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2025\/05\/Cinema-Event.jpg?fit=580%2C326&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2025\/05\/Cinema-Event-1024x576.jpg?resize=1024%2C576&#038;ssl=1\" alt=\"\" class=\"wp-image-4100\" srcset=\"https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2025\/05\/Cinema-Event.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2025\/05\/Cinema-Event.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2025\/05\/Cinema-Event.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2025\/05\/Cinema-Event.jpg?resize=500%2C281&amp;ssl=1 500w, https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2025\/05\/Cinema-Event.jpg?resize=800%2C450&amp;ssl=1 800w, 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URLs-->","protected":false},"excerpt":{"rendered":"","protected":false},"author":33188029,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_crdt_document":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"footnotes":""},"class_list":["post-4095","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":false,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2V8if-143","jetpack-related-posts":[{"id":5780,"url":"https:\/\/trasatlantica.org\/?page_id=5780","url_meta":{"origin":4095,"position":0},"title":"News and Events\/Noticias y eventos","author":"Soviet Cuba: Identities in Transition","date":"January 8, 2026","format":false,"excerpt":"2026 Events: 2025 Events: Nov. 10, 2025: Poetry reading and presentation of the Trasatl\u00e1ntica Project, with members of the Board of Directors.\u00a0El \u00faltimo encuentro bookstore in Mexico City. Oct. 27, 2025: Poetry reading and presentation of the Trasatl\u00e1ntica Project. Poetry publishers and editors round panel. 20thanniversary of the Chilango-Andaluz International\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3940,"url":"https:\/\/trasatlantica.org\/?page_id=3940","url_meta":{"origin":4095,"position":1},"title":"Odette Alonso","author":"Soviet Cuba: Identities in Transition","date":"May 24, 2025","format":false,"excerpt":"P\u00f3rtico Los p\u00e1jaros que salen de tu bocallenan el d\u00eda de reverberaciones.La luz que dejanse enreda entre los hilos de la ruecade la que surge un tejido transparente.La pared te sostienecuando te abres el pechoy brota el canto.Yosentada a tus pieslo sue\u00f1o todo. Portico Birds emerging from your mouthfill the\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2026\/02\/extranas-aves-castle-1-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2026\/02\/extranas-aves-castle-1-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2026\/02\/extranas-aves-castle-1-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2026\/02\/extranas-aves-castle-1-1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2149,"url":"https:\/\/trasatlantica.org\/?page_id=2149","url_meta":{"origin":4095,"position":2},"title":"Yordan Arroyo Carvajal (in English)","author":"Soviet Cuba: Identities in Transition","date":"October 16, 2024","format":false,"excerpt":"GREEK MYTHS AS INTERNAL STRUGGLE: NANCY BANARD AND HER YORUBA MEDEA\u00a0 Yordan Arroyo Carvajal1University of Salamancahttps:\/\/orcid.org\/0000-0002-2509-4918 ABSTRACT This article develops an analysis, from the perspective of an active reader, of the mythological figure of Medea in the dramatic monologue \u201cMedea: lev\u00e1ntare y anda\" (2022) by the writer Nancy Banard. It\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2024\/09\/cuban-santeria-8.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2024\/09\/cuban-santeria-8.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2024\/09\/cuban-santeria-8.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2194,"url":"https:\/\/trasatlantica.org\/?page_id=2194","url_meta":{"origin":4095,"position":3},"title":"Submission Guidelines","author":"Soviet Cuba: Identities in Transition","date":"October 18, 2024","format":false,"excerpt":"Submission Guidelines\u00a0\u00a0 Submissions must be written in Spanish, English, or Portuguese. We are unable to accept AI-generated works at this time. For poetry translation, please see the specific requirements. Please use the submissions link in our website, or email it to trasatlantica@trasatlantica.org. Write your name and the category in which\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2110,"url":"https:\/\/trasatlantica.org\/?page_id=2110","url_meta":{"origin":4095,"position":4},"title":"Daniel Escandell-Montiel (in English)","author":"Soviet Cuba: Identities in Transition","date":"October 16, 2024","format":false,"excerpt":"Emergent\u00a0Storytelling Techniques: Procedural Narrative and Its Creative and Reactive Potential in Hypermedia Translated into English by Andrea Rosenberg Abstract The\u00a0generation\u00a0of texts\u00a0seeks to simulate the creative spirit not only in terms of an artificial literary inventiveness\u00a0but also in\u00a0relation to\u00a0the video\u00a0game as a narratively complex hypermedium\u00a0that reacts\u00a0to\u00a0the user.\u00a0We\u00a0examine\u00a0the automated creation of interactive\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2024\/08\/untitled-11.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2024\/08\/untitled-11.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2024\/08\/untitled-11.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2024\/08\/untitled-11.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2024\/08\/untitled-11.png?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":5242,"url":"https:\/\/trasatlantica.org\/?page_id=5242","url_meta":{"origin":4095,"position":5},"title":"THE TWO SHORES: SONGS OF IMPROPER EXPERIENCE","author":"Soviet Cuba: Identities in Transition","date":"July 6, 2025","format":false,"excerpt":"By: Jos\u00e9 Ram\u00f3n Ruis\u00e1nchez Serra In the opposite pole to innocence is, as Blake taught us, experience.\u00a0\u00a0In this essay I want to think about certain songs of experience. I will call them songs of improper experience. I begin to explain from the collection of poems by Damaris Pu\u00f1ales Alp\u00edzar,\u00a0No vine\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2025\/07\/Cubierta-de-Damaris-Punales-2-1.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2025\/07\/Cubierta-de-Damaris-Punales-2-1.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2025\/07\/Cubierta-de-Damaris-Punales-2-1.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2025\/07\/Cubierta-de-Damaris-Punales-2-1.png?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/trasatlantica.org\/index.php?rest_route=\/wp\/v2\/pages\/4095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/trasatlantica.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/trasatlantica.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/trasatlantica.org\/index.php?rest_route=\/wp\/v2\/users\/33188029"}],"replies":[{"embeddable":true,"href":"https:\/\/trasatlantica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4095"}],"version-history":[{"count":6,"href":"https:\/\/trasatlantica.org\/index.php?rest_route=\/wp\/v2\/pages\/4095\/revisions"}],"predecessor-version":[{"id":4107,"href":"https:\/\/trasatlantica.org\/index.php?rest_route=\/wp\/v2\/pages\/4095\/revisions\/4107"}],"wp:attachment":[{"href":"https:\/\/trasatlantica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}