{"id":4666,"date":"2025-05-31T17:58:59","date_gmt":"2025-05-31T21:58:59","guid":{"rendered":"https:\/\/trasatlantica.org\/?page_id=4666"},"modified":"2025-05-31T18:02:16","modified_gmt":"2025-05-31T22:02:16","slug":"osvaldo-cleger","status":"publish","type":"page","link":"https:\/\/trasatlantica.org\/?page_id=4666","title":{"rendered":"Osvaldo Cleger"},"content":{"rendered":"\n
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El cuerpo de Ofelia. Mito y erotismo del agua en la poes\u00eda latinoamericana: an\u00e1lisis comparativo<\/a><\/strong><\/p>\n<\/div><\/div>\n\n\n\n

\n

 <\/strong>Ophelia\u2019s Lyric Body<\/strong><\/strong>. Myth, Invention, and Water-Eroticism in Latin American Poetry: a Comparative Analysis<\/strong><\/a><\/p>\n<\/div>

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<\/p>\n","protected":false},"excerpt":{"rendered":"

El cuerpo de Ofelia. Mito y erotismo del agua en la poes\u00eda latinoamericana: an\u00e1lisis comparativo  Ophelia\u2019s Lyric Body. Myth, Invention, and Water-Eroticism in Latin American Poetry: a Comparative Analysis<\/p>\n","protected":false},"author":33188029,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_wpcom_ai_launchpad_about_page":false,"_wpcom_ai_launchpad_gallery_page":false,"_wpcom_ai_launchpad_contact_page":false,"_wpcom_ai_launchpad_events_page":false,"_wpcom_ai_launchpad_video_page":false,"_wpcom_ai_launchpad_portfolio_piece":false,"footnotes":""},"class_list":["post-4666","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":false,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2V8if-1dg","jetpack-related-posts":[{"id":6151,"url":"https:\/\/trasatlantica.org\/?page_id=6151","url_meta":{"origin":4666,"position":0},"title":"Ensayos\/Essays","author":"Soviet Cuba: Identities in Transition","date":"January 17, 2026","format":false,"excerpt":"Jos\u00e9 Ram\u00f3n Ruis\u00e1nchez Serra: \u201cAma y haz lo que quieras\u201d: sobre la libertad Adonis S\u00e1nchez Cervera: Egun Awole Daniel Escandell-Montiel: T\u00e9cnicas emergentes para contar historias: la narrativa procedimental y su potencial creativo y reactivo en los hipermedios Emergent\u00a0Storytelling Techniques: Procedural Narrative and Its Creative and Reactive Potential in Hypermedia Yordan\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":4336,"url":"https:\/\/trasatlantica.org\/?page_id=4336","url_meta":{"origin":4666,"position":1},"title":"Essays","author":"Soviet Cuba: Identities in Transition","date":"May 24, 2025","format":false,"excerpt":"Osvaldo Cleger Jos\u00e9 Ram\u00f3n Ruis\u00e1nchez Serra","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":4860,"url":"https:\/\/trasatlantica.org\/?page_id=4860","url_meta":{"origin":4666,"position":2},"title":"Osvaldo Cleger_El cuerpo de Ofelia","author":"Soviet Cuba: Identities in Transition","date":"May 31, 2025","format":false,"excerpt":"El cuerpo de Ofelia Mito y erotismo del agua en la poes\u00eda latinoamericana: an\u00e1lisis comparativo Osvaldo Cleger Georgia Institute of Technology Abstract The body of Ophelia\u2014specifically, the iconic representation of Shakespeare\u2019s tragic heroine\u2014remains one of the most pervasive images of the female body in 19th-century European culture. 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HAIKU DE LOS P\u00c1JAROSCuidar\u00e9 tus p\u00e1jarospero me niegoa hacer el amor en la jaula. PASI\u00d3N Que empiece a lloverpara saberde todo aquelloque me enciende.\u00a0 Lo\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2026\/01\/bird-1-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2026\/01\/bird-1-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2026\/01\/bird-1-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2026\/01\/bird-1-1.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/trasatlantica.org\/wp-content\/uploads\/2026\/01\/bird-1-1.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":4665,"url":"https:\/\/trasatlantica.org\/?page_id=4665","url_meta":{"origin":4666,"position":4},"title":"Osvaldo Cleger_Ophelia’s Body","author":"Soviet Cuba: Identities in Transition","date":"May 29, 2025","format":false,"excerpt":"Ophelia\u2019s Lyric Body \u00a0Myth, Invention, and Water-Eroticism in Latin American Poetry: a Comparative Analysis Osvaldo Cleger Georgia Institute of Technology Abstract The body of Ophelia\u2014specifically, the iconic representation of Shakespeare\u2019s tragic heroine\u2014remains one of the most pervasive images of the female body in 19th-century European culture. 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